Thursday, 18 December 2008

Friendly Fires- Friendly Fires

Three uber cool young fellows oozing confidence, sex and undoubtedly more sex, provide the nation with an unexpected pivotal record. Friendly Fires’ debut self titled release mocks the misery of nu rave, the unprecedented flow of fiction and promises to ignite stereos with jazzy, dance provocation and fashion.

It is the typical album you would hear and despise when you walked into a store you couldn’t afford to buy anything in, however secretly found yourself downloading from your ever increasing istore account. The conventional album pretentious magazines would clasp onto, hoping to be the first to have told you. But by God is it worth it. Friendly Fires is just quite simply brilliant and impossible to truly turn your back on after a listen, regadless of their apparent offensive skinnies and flash hats. You want, crave and desire more from the trio, expecting a hip shaking track to follow the groove the one prior to produced.

A designer band perhaps, but one that have managed to fight off their potentially damaging stereotype with a stonking first release. Opening track ‘Jump In The Pool’ leaves nothing to be desired. Chilling or preparing for a big night, 'Jump In The Pool' can entice both emotions; soothing brass, Christiano Ronaldo sharp lyrics and carnival-esque percussion, each play a part in preparing listeners for an ingenious slice of pop fusion.

Exhaustion creeps in by the end of the track that the next defers. Awesome start to what could be the ride of your life. ‘Paris’ is almost perfect, once more; original yet inavertedly recycled brilliantly. Vocals taken from au revoir Simone, coincide fantastically with the exquisiteness that could probably even be referred to as an average track on the album.

Poised with glamour, hope and more sex (these boys love it), ‘Paris’ manages to strip music to the soul and revamp on a laptop that works wonders. It’s quite a difficult one to review in all fairness. Criticisms can only lie in the familiarity of at least 5 tracks - yet only due to the craze that is underground Friendly Fires. Remember Arctic Monkeys first album? Well this is better. Much better, in fact so good I might write to NME and tell them myself. Imagine pulsations for 38 minutes solid; addictive, charismatic charm tunes.

Friendly Fires escalate all my expectations with this stunning first album; challenging even the greatest of debuts. If it were a grower I would tell you; however instead I need not. Too cool for school? Yes. Pretentious? No, but I wouldn’t give a shit if they were with this kind of album churning out.

Check out their brilliant opening track 'Jump In The Pool'



Track Listing
01 - Jump In The Pool
02 - In The Hospital
03 - Paris
04 - White Diamonds
05 - Strobe
06 - On Board
07 - Lovesick
08 - Skeleton Boy
09 - Photobooth
10 - Ex Lover

James Dunlop- Changing Face of Festivals

AS the festival season nears and environmental concerns continue to rise, new and inventive eco-friendly ideas are being unearthed to help create a greener festival experience. With Glastonbury known for its eco-conscious decisions, are all UK festivals set to follow suit? If this is the case, how can they go about doing so?

Year after year, new UK festivals appear and an ever increasing number of festival goers spend hours lugging bags and beer through the muddy fields of county farms. Last year, as the rain poured once more, a record 15,000 tents were left at Glastonbury festival, 3,000 also abandoned at smaller gathering Reading festival. Numbers are only set to increase and the dream of finding somebody to do all the hard work for you is finally here. The solution lies in neither fame nor extravagant fortune but in “Myhab”. Room Thirteen met up with Myhab Managing Director James Dunlop to investigate plans for the future of his creative invention and ultimately of festivals worldwide.

Myhab is an eco-friendly habitat made from recycled plastic and cardboard, designed to be a more comfortable, convenient and spacious option to sleeping in a tent. Influenced strongly by Japanese Architect Shigeru Ban, who used cardboard tubing as structural components to create schools, churches and offices, twenty-three year old Dunlop states that he wanted to “see what would happen if (he) used recycled cardboard to create temporary accommodation.” Myhab makes resting at festivals enjoyable, with a spacious bedding area; suitable for all weather conditions. The tent has been tried and tested, and can undergo at least five days and nights of solid rain, coated inside and out with a waterproof sealant. The cardboard on each Myhab is recycled and comes back as a fresh piece further down the line. The recycled plastic parts are reused and will last for about 5 years; then they too can be recycled. People are already showing their support for festival change.

A survey taken from www.agreenerfestival.com shows that 80% of those festival goers who took part in the investigation believed that noise, waste and traffic have a negative impact. 48% claim they would pay more for a greener festival and 36% take into consideration the environmental policies of the festival when purchasing a ticket. Myhab emerged from a dissertation project at UWE focusing on the “environmental concern of outdoor festivals.” James went about creating an “alternative to a tent, which was made from recycled materials” after a growing fear for the state of outside festivals and the long term effects on the environment.

The New Designers Exhibition awarded Dunlop for his innovative creation, and with ₤500,000 worth of MINT Partners investment, Myhab is set to roam festivals everywhere this summer. The humble MD has high hopes for the project and believes that right now, Myhab is well on its way to becoming a festival revelation; “It’s panned out well so far and we are all very confident with the product and service. It has been hugely educational and very exciting”. He also hopes that Myhabs can become useful in disaster relief scenarios and the 2012 Olympics.

So, what’s the cost? Well, everything comes at a price yet, Myhab lives up to its valuation. It’s a luxurious stay, if camping in a field can ever be referred to in such terms, and can be bought at a reasonable ₤120 per person based on two people sharing for the duration of the event. Okay, so it’s not aimed at the teenagers amongst us, but it’s cheaper than renting a hotel and travelling to the venue every day. Included for this price is a built in safe, which allows campers to remain carefree when leaving phones, ipods, spare cash etc in the tent. It provides soft raised bedding, and trust me all you festival virgins, after a day of happy but tiring traipsing, there’s nothing like a comfy bed. Being able to personalise your Myhab online is always a seller and thankfully, climbing into a stranger’s tent will soon be a thing of the past.

The habitat will be set up and taken down by the organisations employees which also saves time and energy. Alongside a good location within the festival and special Myhab wristbands which provide access to regularly cleaned exclusive showers and toilets (need we say more?!), the Myhab could be the festival accommodation of the future.

It does sound like a rich mans festival, however James hopes to aim the product at “anyone who wants to experience a convenient festival. If you are fed up with hot sweaty tents that flood, become a pain to lug around and set up, and regularly find uninvited guests falling into them then, try a Myhab.” 200-300 Myhabs are set to hit the UK festivals this summer, with James visiting 10 music events across the United Kingdom alone; hoping to reach out to mainland Europe next year. As an avid music fan, this will hardly be a hardship for the young designer; who is keen to catch Kate Nash and Hot Chip throughout his travels.

Myhab ties in nicely with Glastonbury and Millet’s latest endeavour to make festivals a more environmentally friendly form of entertainment; creating biodegradable tent pegs as part of the ‘Love the farm, leave no trace’ campaign. After thousands were left at Glasto alone, new pegs have been produced, made from natural materials derived from wheat and potatoes and will be handed out free to all campers. The exclusive use of biodegradable tent pegs at this year’s festival will reduce the risk of injury to the public and animals from metal predecessors. James Dunlop believes more people are becoming aware with the impact of their carbon footprint and companies are going to strive to meet the consumers needs; “It’s a very important time and lots of companies are adapting how they operate to help the environment, as well as lots of companies starting up with these concerns at the forefront of their ethos.” So if you find yourself at T in the Park, Isle of Wight or Oxegen (to name but a few), look out for Myhab villages everywhere. If you can’t wait quite that long, check out the habitats very own website www.myhab.com and order yours online now.

Paramore- Decode

Paramore return after their hugely successful second album ‘Riot’ and its coinciding tour with another brilliantly crafted Hayley Williams and co record. ‘Decode’ has been written primarily for the soundtrack of highly reviewed novel turned Hollywood release "Twilight", alongside "I caught myself", the second as of yet unreleased Paramore track available on the film soundtrack.
The quartet are said to all be massive fans of the book series and jumped at the opportunity to write music for the movie version; the soundtrack coincidentally has been a much-talked about aspect of the movie and all its hype.

From the introduction to the final note, ‘Decode’ is a wonderful example of what the band are all about; Paramore provide exemplary pop-rock music which appeals to artists and fans alike, regardless most definitely of age and gender. Hayley Williams entices us in once more with her beautifully mastered lyrics and sound that mimics much of their previous material. Decode is a lot more intense and mature than say the catchy pop riff of ‘Misery Business’ or the melodic ‘Until Tommorrow’, and instead focuses upon the intimate relationship between two beings and the struggles they encompass along the way- fitting for the film really?

A Josh Farro mid-song guitar solo has definitely been missing in recent releases; perhaps a sign the bands strength and passion that drove them to their fantastic debut album; "All we know is falling" has finally returned. Much speculated troubles, which led to an unexpected break in the 2008 European Tour, and ruinous rumours of an imminent split, seem well and truly behind the foursome; portraying once more the strong unit we had become enthralled to love.

The video does only more to emphasise the growth and stature Paramore have finally embraced, fundamentally engrossing a fresh and energetic approach. Clips from the movie are featured throughout and wipe away any confusion as to whether Williams is playing the lead role in the film, she isn’t trust me.

Regarding latest news, Paramore won’t be releasing an album until come the summer of 2009, but in the meantime; they have well and truly hushed their critics who stressed they would never pull through 2008. Decode is a brilliant encore to Riot. Paramore, is a BAND, Hayley stresses to eternity. A bloody good one as well.

Check out this awesome live acoustic version in the Green Room



Love x

Womens Football- Personal Experience

Women’s football is bursting with raw, energetic talent as recent success in worldwide competitions and qualification for the Euro’s of 2009 clearly highlights. MELISSA LEWIS reveals her love for the beautiful game and how nothing could deter her from following her dream of playing the sport she loved…
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Most girls find that they grow out of sport.
Shopping, working and boys often become intervening factors when it comes to getting muddy past the age of 14.

In truth, I nearly succumbed to these temptations too, with cash and clothes more vital to my teen angst than studs and shots. But, on reflection, turning my back on football would have been the biggest mistake I would have ever made.

My first football experience involved travelling ten minutes down the road, buzzing with excitement to see Woking Football Club take on Chelsea FC in an insignificant pre-season friendly.

Being football mad from the age of nine - my parents will probably dispute it was in fact much earlier - it finally gave me the opportunity to slip on my vintage Ruud Gullit plastered t-shirt and head to the ground with dad.

The fact I was watching the reserves just didn’t matter – and neither did the result.
For the record, Chelsea won- 2-1 with a late Frank Sinclair header gratefully cheered by the away fans. But more importantly, it was the smile I left the ground with that day which was far more significant.

A tide of emotions flooded my senses that life-defining Thursday evening – and that buzz has never been matched by any activity other than football.
Playing for local teams, endless penalty competitions and a few sports awards later, I’m still that proud football lover.

Appointed team captain of the Southampton Solent University squad for this year and a regular in the starting line-up for high flying unbeaten Eastleigh Ladies, football is still very much an integral part of my life.
And I’m by no means alone.

Local Hampshire Leagues are full of technical and talented female footballers and the same can certainly be said for university football. Southampton University reached the National Finals held in Sheffield last season and have continued their success with five consecutive victories in the British Universities and Sports Colleges (BUSA) league this term. Solent are not far behind, losing only one of their five games and convincingly overcoming rival opposition in the majority of their past fixtures.

But it’s more than just results. Both socially and competitively, the atmosphere surrounding women’s football is one which struggles to be matched elsewhere.
However nationally, women’s football has yet to fully captivate the sporting media which instead focuses (obsessively in my opinion) on the big spending – and male - Premier league.

Still, our passion refuses to be extinguished, nor our enthusiasm dulled.

Inspiration can be found with teams like Arsenal Ladies who, although still only semi-pro, have achieved the sort of success that Fergie and Scolari can only dream of. Forget winning ‘the Treble’ of trophies in the men’s game – the Arsenal Ladies scooped The Quadruple!

Crowned queens of both domestic and European competitions, they also played before a record attendance of 25,000 in the FA Cup Final. Meanwhile their players helped England reach the World Cup Quarter Finals in 2007 and recently qualify for the 2009 European Championships.

Southampton Ladies have a great record too, winners of the Women’s FA Cup on eight occasions throughout their history. The inspirational Sue Lopez MBE was a key member of their squad for an astonishing twenty years and pivotal to their decades of success. Icons such as herself and Kelly Smith, who has been shortlisted for the 2008 FIFA World Player Award, are reasons why I, alongside many have such love for the game.

Our sport is going from strength to strength.

Since the Football Association took control of the game in 1993, women’s participation has risen from just under 11,000 to the heady heights of over 215,000. Younger generations are being encouraged to take the sport more seriously and urged to resist abandoning the sport when the adolescent years kick in.

And let’s be clear about one thing - femininity need not be lost.
I cried in bed when Southgate missed that Euro ‘96 penalty and even more so, over ten years later, when John Terry slipped in Moscow. And I confess, without a shadow of a doubt, that more tears will be wasted over the beautiful game in the future.
I don’t remember what happened to that Ruud Gullit shirt, but will never forget how much football and my first fixture has made me the person, footballer and female that I am.

FOOTIE FACTS
1. The first women's football match recorded was held in 1895 between a northern and a southern team. The north won the game 7-1.
2. The biggest ever crowd recorded for a women's game in England took place on Boxing Day 1920 when 53,000 people watched Dick Kerr's Ladies beat their closest rivals, St Helen's Ladies, 4-0.
3. The Football Association banned women from playing on Football League grounds in 1921. Because the game was deemed " unsuitable for females and ought not to be encouraged."
4. In 1999, the USA hosts the Women's World Cup which sees sell out stadia and over 90,000 at the final. Members of the victorious US team become household names.
5. The first Women's National League was formed in 1991.
6. In 1989, there were 263 women's clubs and around 7,000 registered players but by the late 1990s, it’s estimated up to 216,000 women played football in the UK and 150,000 are affiliated with the FA.
7. More women play football in Europe than in the Uk. In Germany, for example, there are half a million female players. There are around 8m registered players in the USA.

IAMX- The Alternative Single.

IAMX. Wow. Released 31st March, ‘The alternative’ is sooo good. Like bloody good. It’s dirty dance, techo at its best. A grungier underground version of Goldfrapp, played at drug fuelled raves and end of night sessions.

It’s just brilliantly sexy, capturing filthy grinding to the max. Imagine Noel Fielding and Russell Brand getting together and making music; and I’m sure you wouldn’t find yourself too far off. The remixes by BitRayker and Sidney Looper aren’t half good also, yet the release stands out with a passion; it is truly electrifying.

Critically camp rock I guess, although with electronica back in fashion, IAMX aka Chris Corner has created a stylish, trend setting genre. I love and admire the extravagant, lively punk vibe this dance tune has managed to grasp, and I’m struggling now to end my superlatives. It really is of the highest quality, mixing Placebo style lyrics- hidden grime and sex with funky beats and an infectious bass line.

If you don’t like grimey music then don’t bother. But it was such a refreshing change from commercial dance and catchy indie. IAMX might have just saved the music industry, but don’t tell him I told you so.

Track Listing
01 - The Alternative (Radio Edit)
02 - The Alternative (BitRayker Remix)
03 - The Alternative (Sidney Looper Remix)
04 - The Alternative (Acoustic)

Tuesday, 16 September 2008

Late OF The Pier- Fantasy Black Channel album.

Late of the Pier- Fantasy black channel.

I love it when I turn on an album first run through and fall in love with the listing six songs down. I hate it however when I try to write a CD review and the words I want to write won’t appear, and the more I think about this mere fact, the more frustrated I become. Only me?

Late Of The Pier’s much sought after debut album “Fantasy black channel” has come during their extensive summer tour of festivals and country alike, following in the craze of electro-funk 70’s rebirth (that was a mouthful) and emo’s demise. Does it offend you, Hadouken! and friendly fires have all released exciting albums in recent times, raising the barrier on upcoming nu rave acts. Late of the Pier probably wouldn’t classify themselves as nu rave, however nor would My chemical Romance Emo, but the genre of music in this instance will soon become irrelevant. LOTP (as they will from here on be known) bring us a wonderous adventure, surrounded and fuelled by illegal substances (no doubt), amongst homegrown hallucinations. Lost? Ditto.

The album opens with a funky pre-stonker instrumental, breaking into an array of electro vibes and fast tempo releases. Broken, Space and the woods and the bears are coming feel fresh but worn, endearing yet unknown. From here onwards, new release heartbeat and my current favourite Focker carry the album through to the final hurdle.

Fantasy black channel does what it says on the tin, creating an adventurous new ideal; pumping from the very word go and continuing throughout. However, the embracing qualities LOTP have are topped by their ability to change and climax song by song, yet create a finale. ‘The enemy are the future’, ‘mad dogs and Englishmen’ and the subtly brilliant ‘Bathroom gurgle’ can at first be perceived as weaker tracks, yet in album context the best. It plays like a cheesy end of night love song, without the cheese or love and brings to a close the dark, inventive and ingenious debut. Daring to pass barriers to extremities, Late of the pier prove their originality will not go unnoticed. Found the words eventually….

Sunday, 22 June 2008

Panic! at the disco- That Green Gentleman review.

That green gentleman is the second track taken from latest album “Pretty.odd”. With fans still slightly unaware as to whether the beatles-esque move works for them, another clot is thrown into the bloodstream with this one; a country folk rock track that embraces the start of an era, the beginning of something new. Ironic eh?

The adaptation has been hard for most Panic lovers, obsessing over the band for their intense dance rock debut and jaw dropping when the second hit the stores. A betrayal was on the cards here- turning their back on the faithful who downloaded any demo available and purchased the debut album in their masses. Others have embraced the change, romanticising in the melody, reflecting in the joy. Whatever the outcome, questions have most definitely arisen about the bands direction and stature.

This single is no different, following in the footsteps of ‘nine in the afternoon’, and embracing our ears with a clean, comforting, unique sound. It’s a step away from Fall Out Boy and one in the right direction.

I’ll admit before you ask- I have absolutely no idea what the green gentleman thing is about. However with most Panic stuff, it’s difficult to really know what the titles of their songs ever mean and questioning the importance of song titles in general.



None the less, the groovy riff, Ross’ lyrics and Brenden’s ever faultless vocals provide us with a slice of classic popular music. Dislike if you want, even call them crazy; see if they really give a shit.

A depth in maturity springs to mind, leaving the adolescent teens of the first behind; enabling the band to grow and forget the insecurities of ‘A fever you can’t sweat out’. Things have changed eh boys? Cor blimey. And trust me, it's as catchy as you like.

LizzySpit- Laura's Diary.

Released 19th May, Elizabeth Knights Ward (that’s a mouthful) aka Lizzyspit provides us with Laura’s diary. Sung very much in a colloquial diary reading manner, Lizzyspit has created a harmonic, heartfelt track, opening up any contemplations swimming about. If you don’t want to open the can of worms so to speak then definitely avoid this one. Relationship break-ups require a compulsory avoidance I’m afraid.

Kate Nash lyrical comparisons are evident from the first note, not necessarily for the sound of her voice in particular but primarily the everyday emotional melody of words hung together loosely like socks to washing lines. See- she’s even got me doing it.

The percussive taps on the guitar are a nice touch for what could otherwise branch into a potentially dull and bland release. I’m intrigued to check out other material and see the direction Lizzyspit takes. It’s also quite Missy Higgins like, that familiar female vocal and thoughtful wording.

If you like your heavy rock music, or your energetic indie bopping tunes, then Lizzyspit probably won’t fit in anywhere on your musical spectrum. For the less hollow hearted of us, Lizzyspit could easily become a firm favourite. Anybody else wanna know why it's such a bad time?

Saturday, 7 June 2008

Kids Love Lies- Boiler Room, Guildford.

Kids Love Lies set foot outside the gigging scene of London for the first time; starting their venture of country stardom, or so they would have hoped. Where better to begin then current gig hot spot Boiler Room?With the ACM just around the corner, Guildford should have taken to this unique outfit like butter to bread- a fantastic fivesome; brimming with both potential and personality.

As BBC introducing veterans and a past Nick Grimshaw house band, Kid Love Lies have managed to cause a real stir within the capital; yet a poor response further south lead to what could have provoked a disappointing night. The band failed to let poor audience figures spur them away from providing a top notch gig- opening with myspace favourite ‘Morning after’ and pounding their way through their entire set.

Strong tracks ‘Hex’ and ‘Paranoid’ bopped heads and tapped feet, but real crowd pleasers ‘Perfection’ and ‘Chimera’ enticed audience members to brave the dancefloor and allow the endearing bunch to steal their hearts- if only for this short period of time.Vocalist Ellen Murphy cannot disguise her distinctive Kate Nash resemblances, especially throughout spine chilling track Chimera and riot record Perfection.

The rest of the band’s quirkiness soon became evident, as the five some really portrayed themselves as a bunch of musicians keen on performing whatever the crowd; and they made friends along the way- prising pedestrians away from the streets and advising them to check out their band. Kids love lies are playing everywhere in the next couple of months- make sure you fill the venues next time people.

Hot Chip- One Pure Thought.

Following ‘ready for the floor’ will possibly be the hardest challenge any band will face this year. Contender for best track in a long long while, ‘ready for the floor’ has sent second album ‘Made in the dark’ well on its way to outselling the fantastic first.

One Pure Thought is different to the first single, not half as catchy but still typical intertwining Hot Chip; embossing the airwaves with infectious, intriguing lyrics and upbeat mysterious melodies. I don’t think after the success of the last record, the indie dancers would ever have considered releasing a similar style tune, and with this deeper track, Hot Chip have done nothing but persuade the audience further to purchase made in the dark.

Critically, one pure thought could merely be surpassed as a b-side lacking the musical brilliance of their other releases such as over and over, but almost in its subtly; Hot Chip can endear a new branch of the unsure neutral audience.

Buy the album, it’s a must for the collection. Although not as strong as its predecessor, one pure thought can only add to the appeal of this exciting genre hopping act and their ever impressive second album. A must for the festivals definitely.

9/13

Smoosh- Free To Stay

I guess one of the primary skills for any music critic is the ability to remove any sentiment from a record and analyse the record on face value-music alone. Bollocks. Smoosh are so desperately endearing that I challenge anyone to read a biog on this band and dismiss with immediate effect. Take two sisters, both barely teenagers besotted by music and soccer; and create a soft pop rock band. Imagine a household where an adolescent informs her parents how she wants, craves and needs to learn the drums; the rhythm can’t be contained any longer, and a talented musician whisks her off her feet (so to speak) to teach her the rules of music. Fairy tale stuff you might say- sickening almost.

Mentored (if you like) by Death Cab’s Jason McGerr, Smoosh have managed to earn US underground legendary status- touring the states with big names Jimmy Eat World, Pearl Jam and Death Cab for Cutie themselves, whilst this side of the globe featuring on tour with The Go! Team and Eels. Not a bad CV at the ages of 13 and 15 eh?

So- the sentiment won you over yet? Because hook line and sinker springs to mind. What makes it so fantastic and spares me any blushes is it’s actually a really good record. Of course, I wanted to love them, and no doubt this has played a part in my immediate enthusiasm; yet the opening to the album ‘free to stay’ could lighten any disaster field. We’re two years behind apparently as stateside ‘free to stay’ hit them in 2006; but it’s been well worth the wait.

Regina Spektor and Feist comparisons are as familiar as it gets really, primarily because the unusual concept of angelic vocals, naïve lyrics and rock music isn’t really easy to define regardless of constant efforts.If you like heavy music, lyrics embossed with meaning and soul, then I wouldn’t bother. Yet the Seattle pair have brought us Free to Stay; an adorable, fun and consistent score, enabling butterflies and colours to soar from the inner depths of your childhood and unveil themselves to the industry. Yes- everybody loves Buckley, Drake and Radiohead for their ingenious melodies, variety of vocal ranges and stunning lyricists; but Smoosh haven’t really claimed to challenge any of these roles.

Irritating at times? Yeah I guess I’ll give you that. But always the optimist; I would highly recommend. Watch out for ‘rock song’ ‘free to stay’ and opening track ‘find a way’ to really grasp the album.

Mel Lewis 11/13

Thursday, 1 May 2008

Naive approach to real sporting heroes.

Women’s football has always been overlooked as a competitive, exciting up and coming sport. The physicality’s brought to football within the televised sport, have always enhanced the arrogant view that women are surely not capable of providing entertainment to the same quality, therefore less watchable television.

As a regular footballer and at times (no doubt) an acting feminist, I struggle with the way in which the sport is perceived and the lack of support the Great British public provides. Take 2007 for example and the women’s football World Cup. England- Quarter finalist, losing out only to second favourites in the competition, USA. The girls did us proud, and unless a keen follower- I bet you were none the wiser.

Success has not only come nationally. Arsenal ladies team stormed ahead in the premier league, collecting all three domestic trophies at the end of the year- League champions, F.A Cup and League Cup. Not only was their success homebound, as the fantastic footballers went on to win the highly competed UEFA Cup. A mention at the Sports Personality of the year awards?

My main disgruntlement lies in the lack of accomplishment and triumph elsewhere within our nation. The Men’s football team failed to even qualify within a pretty modest group for the European Championships, yet still find themselves delving into exorbitant pay packets and flash lifestyles. Two out of three of this years ‘heroes’ are found competing in a sport that has seen legends of its time wheelchair bound and lacking a sufficient number of brain cells.

See, if we put it into context; the Arsenal ladies team achieved something no other sports team in the WORLD achieved. They should have been celebrated throughout not only that evening, but in every other sports gathering we embrace. Next time there’s a women’s game on television, have a look. Make the judgement for yourself, not on Sky’s preference.

Wednesday, 23 April 2008

Envy & Other Sins @The Joiners

It’s unusual for a venue such as the Joiners to attract a crowd of such sorts before doors open and it clearly became evident that a band of high stature were to be gracing Southampton this evening. Forget Champions League semi finals, the much talked about Envy & Other Sins were set to perform, and football shirts were nowhere to be seen.

Entering the stage dressed in pompous waistcoats and fancy scarves, Envy & Other Sins retain their title of campest act (bar Mika) and perform to a rowdy Southampton crowd. Flashing light shades and coat hangers surrounding, the fashionable quintet perform track after track taken from their debut album under A & M records “We Leave At Dawn”. You’d be forgiven for almost instantly questioning their gimmick appeal, with the stage set up and attire, yet these guys didn’t win career creating channel 4 band competition, knocking out firm favourites Revenue, for nothing.

The set was critically short, but the highlights stick with audience members to this day. Catchy choruses in “Talk o Strangers” “Almost Certainly Elsewhere” and first single “Highness” were evident hits, provoking the crowd to sing back in time and tune- markedly to the bands approval. Bassist Mark could be mocked for his perfectly shaped moustache- possibly an over compensation for the ‘insignificance’ portrayal of bass players, but his performance left nothing to be desired. Thoroughly enjoying themselves, the band managed to banter continuously with the Southern crowd; thanking specific members for citing lyrics and at one point, we were blessed with Al’s nipples.

Not a patch on Liverpool Arsenal I hear? I have to strongly disagree. With immediate response negative, I was extremely impressed that not only was their set pleasing, but I found I actually really enjoyed myself. And so did they. Which is the important thing obviously.

Panic! Pretty.Odd Review

Is it Panic with or without the exclamation mark these days? Because, regardless of their claims to be the same band, in their opening track they just aren’t. The second album for a band like Panic, who exploded onto our scene on the back of Fall Out Boy’s success and indie disco’s popularity; was always going to be a challenge. It became pretty evident as ‘A Fever You Can’t Sweat Out’ was nearing the end, beating the excitement, energy and intensity the first album poured out in buckets, was a task not even worth contemplating prior to 'Pretty.Odd' reaching the studios.

With songwriter and bass player Brent Wilson leaving the band, Brandon and co had to start from scratch, learn how to write massive hits, and well… replace him. Jon Walker gladly stepped in, and the rest as we say, is history.

The temptation to write this review in rhyming couplets, was brought about entirely by this fantastic, riveting, unbelievably good CD. Yes, you can listen to it first time round and burn it. If you do, most Panic fanatics, band members and critics would forgive you. But make sure you buy the album again, because honestly; this grower is destined to become a firm favourite. Remember The Killers second album? Didn’t go down too badly at Glastonbury ’07 you might say? Arctic Monkeys- Favourite Worst Nightmare; not a touch on the first? It’s fair to criticise Panic, the emo, big beat quintet for losing their roots, turning their back on adolescent years and stepping into American country indie, but, the change should be welcomed with open arms. 'Pretty.Odd' is quite clearly created by a band who aren’t stupid enough to try and fight the teen angst and subtle sarcasm the first managed to portray so bloody well and instead provide a laid back testosterone boy. They aren’t virgins anymore perhaps?

A continuing theme throughout 'Pretty.Odd' lies in the weather, changing seasons and coincidently - change. It’s an alteration I don’t expect you to accept first time round, but one I hope with 4 or 5 listens you embrace. A long album also, consisting of 15 tracks in total; all of which fit hand to glove. Over compensated, random track names are still a quirky touch added by the boys, matched with fancy artwork and glamorous stage attire. The package is still there. Look out for brilliant first release ‘Nine In The Afternoon’, ‘Northern Downpour’, ‘When The Day Met The Night’ and ‘Mad As Rabbits’ as catchy and much-loved. What Jon manages to bring to the band is unsung, contrasting Brandon’s vocals at points that send chills and smiles down my spine. It’s a magnificent return, one I can’t allow to leave my stereo. Criticise as you will, ignore at your peril. Panic may not have been your cup of tea first time round, but right now; music lovers can’t argue with this stonker.

Track Listing
01 - We're So Starving
02 - Nine In The Afternoon
03 - She's A Handsome Woman
04 - Do You Know What I'm Seeing?
05 - That Green Gentleman (Things Have Changed)
06 - I Have Friends In Holy Spaces
07 - Northern Downpour
08 - When The Day Met The Night
09 - Pas De Cheval
10 - The Piano Knows Something I Don't Know
11 - Behind The Sea
12 - Folkin' Around
13 - She Had The World
14 - From A Mountain In The Middle Of The Cabins
15 - Mad As Rabbits

Friday, 4 April 2008

So...
My radio show. well it's fair to say that Sinradio is a growing station and definitely bringing in better quality shows every year. My show specialises in new unsigned music and live performances.
A band come into the studio every week, and perform two live acoustic tracks- one of their own to showcase and a well known cover. Yes it is very Jo Wiley-esque but I'm trying. Also as a regular feature, I announce my unsigned band of the week- this is generally the band i can't turn off my ipod and often one whom are playing local dates close to the show.
The Stug brings us exciting and unnecessary facts every week, and I provide the audience with brilliant music, indie classics of old and new, and a perfect radio voice to boot ;)
Catch the show every Monday night 5-7 on www.sinradio.co.uk.
If you think you would like to make an appearance and perform a few tracks for us, email me at Mel.Lewis@RoomThirteen.com and I will see what I can do :D

On a random tangent. Wasn't the weather awesome today? I had an exam and lessons and what not, but seriously. When I hit the fresh air, I enjoyed every minute. This weekend would be nice if the same continues.
Peace
Mel@sinradio